Haruna Ishola Bello (1919-1983) was the undisputed king of Apala music, a Yoruba musical genre. He popularized apala beyond its Islamic roots to mainstream audiences. Ishola's percussion-based music featured talking drums, omele, and sekere. His philosophical lyrics in deep Yoruba resonated with audiences. Hits like "Oroki Social Club" and "Apala" established the genre. Ishola trained many musicians and elevated apala from street music to concert halls. His legacy continues through his children who carry on the apala tradition.


APALA LEGEND:
Haruna Ishola fused Islamic praise singing with Yoruba storytelling, creating hypnotic apala rhythms driven by agidigbo thumb piano, talking drums, and sekere. His deep, resonant voice delivered moral lessons and societal commentary.

MUSICAL LEGACY:
Hits like Oroki Social Club, Apala Travel, and E Je Ka Jo celebrated community, hard work, and cultural pride. Ishola’s recordings with Decca and EMI introduced apala to international audiences during the 1960s and 70s.

MENTORSHIP:
He trained percussionists and vocalists, including his son Musiliu Haruna Ishola, who continues apala’s evolution. Haruna established the first apala record label cooperative, ensuring fair royalties for band members.

CULTURAL PRESERVATION:
Documentaries and academic research analyse his poetry for linguistic richness. Apala festivals in Ogun State honour his contributions, blending music with culinary fairs and fashion showcases.

FAST FACTS:
- Born 1919 in Ijebu-Igbo, Ogun State; died 9 May 1983.
- Titles: “Baba Ngani Agba” (wise elder), Member of the Order of the Niger (MON).
- Discography: over 50 albums spanning vinyl, cassette, and CD eras.
- Instrumental hallmark: agidigbo bass lines anchoring call-and-response vocals.